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Lakho Fulanee (લાખો ફૂલાણી) By Late Shri Harilal Upadhyay...
| Book: લાખો ફૂલાણી (Lakho Fulanee) |
| Type: |
Historical Novel
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| Price: |
INR 80.00 |
| Published: |
1993 |
| Publisher: |
Laxmi Pustak Bhandar |
| About: |
Navsanskaran |
Excerpts from Lakho Fulanee:
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Fortunately I got the reference material (of historical facts)
for this novel named "Lakho Fulani" (Lakho Fulanee);
when I was searching for the additional information
(about historical events) for my previous historical novel named
"RoodhirNu RajTilak".
I wrote this historical novel based on my feeling,
that the character of Jam Lakho Fulani (Jam Lakho Fulanee);
who was the grand son of the King of Sindh (Sindhpati) Jam Lakho Dhuraro;
who is one of the main characters of
RoodhirNu RajTilak; and his lifespan needs to be explored
separately as an independent book (to justify the same).
In this way this story is in continuity with
"RoodhirNu RajTilak", but it is complete in itself as and independent book.
The biography of Jam Lakho Fulani (Jam Lakho Fulanee)
is not unknown to the people who are interested in the history.
In the old and new books related to the history of Yaduvansh (and hence Chandravansh)
the events and incidents of Lakha Fulani (Lakha Fulanee) and his life found described in detail.
Old historians have praised the name (of Lakha Fulanee).
I have collected the information about Lakha Fulani (Lakha Fulanee)'s life from
historical books, articles and poems.
But actually as I am fond of hearing the folklores in the social assemblies
from the mouth of the (expert) story tellers. Once in a similar social assembly (Dayro);
I have heard the tale of Lakha Fulanee (Lakha Fulani) from the mouth of the
respected and famous story teller of his time Late Mamaiya Barot.
And I found the historical facts about Lakha Fulani (Lakha Fulanee)
along with the amazing and interesting information; which I have used in this novel.
For example (the character of) Apsara (the divine beautiful fairy) Sonal,
the birth of Lakha Fulanee (Lakha Fulani) by the power of the Sun,
the unseparated friends of Lakha Fulanee (Lakha Fulani),
Help by the Sun, The golden person (having the capabilities of the philospher’s stone),
and the event of MerBatee (MerBati).
There are two ways to get the heart of the story (interestingly):
one is by reading it and another is by hearing it.
Some tales, which once heard from the mouth of a (expert) storyteller,
when read afterwards it doesn’t seem that much fascinating.
On the other hand I read the biography of Lakha Fulanee (Lakha Fulani)
earlier (before listening it). But the charm of hearing the same was totally different.
And the events were also mentioned (by the storyteller) in the different way.
But writing the story in the way it is told in a social assembly (Dayro)
is like experimenting the stuff.
Only great authors like Respected
Zaverchand Meghani
can do that kind of experiments successfully.
Though, I have tried it with the fear in
"RoodhirNu RajTilak".
On the other hand this tale is presented in a different way.
It contains the combination of hearing and reading (or speaking and wriing) both.
Apart from this, I feel it is necessary to refer the story of OdhaKer
which I heard from the same storyteller. In
http://www.harilalupadhyay.org/history.php"
title="Gujarati historical novels by Late Shri Harilal Upadhyay"
class="normallink"
>historical novels regarding Yaduvansh,
references are found about the marriage of two kings with Apsara (Divine beautiful Fairy).
Before Jam Ful – the father of Lakha Fulanee (Lakha Fulani) – got married to Apsara Sonal;
Odho Ker was also got married to Apsara named Hothal Padmini (or Hothal Padminee).
It can be questioned that whether there is a part of the reality
there or they are the pure fantasies (about both the references mentioned);
that the divine beautiful fairies are coming onto the earth from the heaven.
But I still have mentioned that Lakho Fulani (Lakho Fulanee) was son of such a divine fairy Sonal, in this novel.
After mentioning this much about this story, I want to mention one more stuff here.
I have collected a good amount of historical stuff after reading historical encyclopedias
regarding Yaduvanshee (Yaduvanshi) Rajput (Kshatriya) kings, and
from the respected storyteller and Charan
(A clan known for its authentication about historical facts, the way of
storytelling – especially folklores).
By taking the stuff from this collection, I want to write more
http://www.harilalupadhyay.org/history.php"
title="Gujarati historical novels by Late Shri Harilal Upadhyay"
class="normallink"
>historical novels on interesting tales. And I am try my level best for the same.
I believe that instead of thinking of the success of this trial,
if I keep doing honest and hard efforts, then the same will be marked definitely (by the people).
With the prayer, that my this belief may become my destiny;
I am gladly presenting this tale to the readers.
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Chapterwise Information about Lakho Fulanee:
| # |
પ્રકરણ |
Chapter |
Heart Of The Chapter Titlle In English |
Page |
| 1 |
મંગલ પ્રભાત |
Mangal Prabhat |
Rising The Sun |
1 |
| 2 |
લહેરાતું રૂપ |
Laheratu Roop |
The Beauty |
10 |
| 3 |
મોહિની |
Mohinee |
Charming |
22 |
| 4 |
સગપણ સંધાયા |
Sagpan Sandhaya |
Rebonding The Relations |
30 |
| 5 |
રાજાને ગમી તે રાણી |
RajaNe Gamee Te Ranee |
Queen Is Who Liked By The King |
40 |
| 6 |
વનવાસી |
Vanvasee |
The Saint |
51 |
| 7 |
રતનજ્યોત |
RatanJyot |
Divine Glow |
61 |
| 8 |
પહેલો પરચો |
Pahelo Parcho |
First Show |
72 |
| 9 |
અપ્સરાની આત્મકથા |
ApsaraNee Atmakatha |
The Divine Fairy Tale |
83 |
| 10 |
મેલા પ્રયોગો |
Mela Prayogo |
Dark Magic |
93 |
| 11 |
પિયુ જાતો પરદેશ |
Piyu Jato Pardesh |
Loved One Is Going Foreign |
104 |
| 12 |
પુષ્પનો પ્રભાવ |
PushpNo Prabhav |
The Effect Of The Flower |
114 |
| 13 |
ઉજળા લાંછન |
Ujala Lanchhan |
Lightening Shadows |
125 |
| 14 |
લાખનુ અવતરણ |
LakhaNu Avtaran |
The Birth Of Lakha |
136 |
| 15 |
જન્મનાં સંગાથી |
JanmaNa Sangathi |
Friend For Lives |
147 |
| 16 |
સત્યનો સાક્ષી |
SatyaNo Sakshi |
Eyewitness Of The Truth |
158 |
| 17 |
સતિનું અગ્નિસ્નાન |
SatiNu AgniSnan |
Self Sacrifice By The Divine Lady |
170 |
| 18 |
ડુંગર ઉપર દવ બળે |
Dungar Upar Dav Bale |
Nowhere To Go |
180 |
| 19 |
દેશવટનું દાન |
DeshvataNu Dan |
Punishment |
191 |
| 20 |
કામણગારી કર્મિવટ |
Kamangari Karmivat |
No Option Of Smart And Hard Work |
202 |
| 21 |
લાખેણો લાખો |
Lakheno Lakho |
The Great Lakho |
213 |
| 22 |
વિસ્મયકારી વિદ્યા |
Vismaykari Vidhya |
Myserious Knowledge |
223 |
| 23 |
વળને લાખા મેરણ |
ValNe Lakha Meran |
Don't Go Lakha |
234 |
| 24 |
કચ્છનો કેસરી |
KachchhNo Kesari |
KachchhNo Kesari |
244 |
| 25 |
સૂરજની સખાતે |
SoorajNee Sakhate |
The Vow |
255 |
| 26 |
વેલાની છાંયા |
VelaNee Chhaya |
The Support |
265 |
| 27 |
ભાંગ્યાનો ભેરૂ |
BhangyaNo Bheru |
The Friend |
275 |
| 28 |
ડાહી ડુમણી |
Dahee Doomnee |
Dahee Doomnee |
285 |
| 29 |
રૂણ સ્વીકાર |
RoonSveekar |
The Reply Of The Support |
295 |
| 30 |
સંપત્તિનું રહસ્ય |
SampattiNu Rahasya |
The Truth Behind The Wealth |
305 |
| 31 |
અમરવેલ |
AmarVel |
Divine Way |
315 |
| 32 |
સોનાનો પુરૂષ |
SonaNo Purush |
Man Of Gold |
324 |
| 33 |
ગર્વગંજન |
GarvGanjan |
Destroying The Proud |
333 |
| 34 |
આગનાં એંધાણ |
AagNa Endhaan |
The Signs Of Fire |
343 |
| 35 |
ફૂલાણીએ ફેર |
FulaneeE Fer |
Difference Is At Fulani |
353 |
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